We got the soundtrack for The Book of Mormon pretty much as soon as it was released, and I was utterly engrossed. But one thing bothered me quite a bit. The song “You and Me (But Mostly Me)”…
…sounded awfully familiar.
It kind of stuck in my craw. The rest of the songs are great, so why rip off something contemporary and distinctive? But the more I listened, the more I realized that it’s supposed to sound like Wicked, because they do the same thing throughout the show.
I love me some dialogue. There’s nothing quite like a good snappy exchange, and great quotes are the kind of thing that becomes timelessly viral (as evidenced by the average quantity of Monty Python quotes in a given D&D session). But dialogue isn’t everything, and there’s a whole lot you can do without ever saying a word.
As befits a story about a stoic badass riding into a town full of stoic badasses, The Quick and the Dead is practically a master class on this topic, packed with just about every kind of visual communication you can imagine.
I read voraciously as a kid and teenager, although I had a tendency to stay in a comfort zone of familiar books and authors. One of the most influential authors, both on my writing and on my general outlook on life, was Robin McKinley. In fact, it’s one of her books that I consider to be my favorite of all time. Here, I’ll describe it for you:
We meet a young woman who’s something of a misfit, although she has strong family ties. She gets swept up against her will into a new exotic world and befriends its brooding, magical ruler (who’s quite a bit older than her). In this new world, she discovers that she has position, power, and purpose: to save her new home and its prince.
I am referring, of course, to Beauty, though you may have been forgiven for thinking I was referring to Rose Daughter. Or The Blue Sword. Or The Hero and the Crown. Or Chalice. Or Sunshine. Only the first two are actual retellings of the Beauty and the Beast legend, but the others all pretty much riff on it. This basic format can be seen in her other retellings, of Sleeping Beauty and Donkeyskin and even Robin Hood. For nearly forty years, McKinley has been coming back to this same well.
And it works.